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Cleo Stoutzker

Foundation Diploma in Art and Design 2019 / 20

'Untitled' Indian ink and gesso on brown paper. Development of the isolated figure.

'Somethings Caught' Photograph.

Somethings Caught, Photograph. A study of solitude and anonymity during a period of extreme social separation, in this image the shadow walks alone as a beacon of impersonality.

'The Crowd' Indian ink, Gesso, graphite on paper. Study of casual physical greetings.

This painting focuses on the existential angst we may feel when obliged to follow governmental structures and restrictions. The unanimous nature of the figures and their vacant expressions capture a mood I felt prevalent within the city. Inspired by watching figures move and circulate around the tube lines, the pace and flow of life and it’s imminent cessation became apparent.

'The underground' Acrylic, gesso, sand, moulding paste on canvas

'At the end of the line' Acrylic, gesso on canvas

A study of separation and conflict. Figures prompted by newspaper cuttings.

'Cave Painting' Etching, Photoshop

'Sensory' Film, edit of gouache painting and ink on tissue paper

'Untitled' Indian ink and gesso on brown paper. Development of the isolated figure.

'Somethings Caught' Photograph.

Somethings Caught, Photograph. A study of solitude and anonymity during a period of extreme social separation, in this image the shadow walks alone as a beacon of impersonality.

'The Crowd' Indian ink, Gesso, graphite on paper. Study of casual physical greetings.

This painting focuses on the existential angst we may feel when obliged to follow governmental structures and restrictions. The unanimous nature of the figures and their vacant expressions capture a mood I felt prevalent within the city. Inspired by watching figures move and circulate around the tube lines, the pace and flow of life and it’s imminent cessation became apparent.

'The underground' Acrylic, gesso, sand, moulding paste on canvas

'At the end of the line' Acrylic, gesso on canvas

A study of separation and conflict. Figures prompted by newspaper cuttings.

'Cave Painting' Etching, Photoshop

'Sensory' Film, edit of gouache painting and ink on tissue paper